These are historical newspapers. Some stories use language and express views that are offensive today.
Sydney · Pictures, dances & concerts
201 stories in Sydney's papers · page 7 of 11
Au même titre que les chefs-d'oeuvre du théâtre classique, la pièce de Luigi Pirandello, Henri IV, n'a pas pris une ride. Il y a trente ans, les Parisiens découvraient cette oeuvre énimagtique grâce à Jean Vilar. Aujourd'hui, c'est Laurent Terzieff qui incame ce curieux personnage des années 20 qui, à la…
Continued on Trove, page 17 →Pour l'Australie, l'événement musical la commémoration de la Révolution française aura été le concert Berlioz a été donné à Sydney, à Canberra…
Continued on Trove, page 10 →THE PROGRAM cover warns: “Road contains language that may offend.” The language is indeed raw, some of it extremely…
Continued on Trove, page 22 →LAST WEEK I enthused inordinately about Geoffrey Rush’s performance in The Diary of a Madman at the Belvoir Theatre…
Continued on Trove, page 22 →PERHAPS IN an effort to attract a wider following for its concerts, Philharmonia music director John Grundy combined his choir…
Continued on Trove, page 23 →NOT IN the Sydney Dance Company’s original 1989 season brochure, and not choreographed by supremo and genius of the…
Continued on Trove, page 22 →Sydney Theatre Company and One Extra Company. Drama Theatre, Opera House. I began about a play where strong reservations would be breaking into dance—even harder…
Continued on Trove, page 24 →Women theatre directors unfortunately and unwarrentedly are in the minority in the highly competitive world of commercial theatre. At UNSW there has been a reasonably strong representation of women in directorial and technical capacities in the student productions produced by NUTS. Continuing this tradition is. Jamelle wells who Tharunka interviewed…
Continued on Trove, page 27 →WARNING this is not an album for dance-crazed freaks, so if that's you, you may as well go on to the next review. Anyway, to be quite honest, I picked up this record…
Continued on Trove, page 23 →BILLED AS a smash hit musical direct from the 1988 Edinburgh Festival, Footsteps to the Moon is grim but compelling theatre,…
Continued on Trove, page 22 →Every morning even when perchance there was no nightmare when I was not awakened…
Continued on Trove, page 17 →Trove gives no preview of this one. Open it to read the story on the page.
Continued on Trove, page 13 →Once again, the emerging professional at the studios Repertory Theatre have turned out a good show. Chrissy, a go-go dancer, can’t help but evoke pathos with the story of her life…
Continued on Trove, page 24 →WHY, I have been rhetorically asking for years, don’t we see more major productions of plays from the cornucopia of modern…
Continued on Trove, page 23 →THANKS TO the Royal Court and Sydney Theatre Company, we recently saw an excellent production of The Recruiting…
Continued on Trove, page 29 →PASOLINI Playhouse is a new co-operative whose producer/director, Charlie Little, is the driving force and was largely, if not…
Continued on Trove, page 29 →NIDA JOKING APART by Alan Ayckbourn presented by final year students as 1989 Graduation Play…
Continued on Trove, page 23 →After Stevie and Breaking the Code, Pack of Lies became my third Hugh Whitemore play and I believe I'm beginning to recognise the style; dramatic, literary and well-paced…
Continued on Trove, page 22 →In my youth I was a protestant schoolboy, but that did not stop me from enjoying Casey Kurtti’s Catholic Schoolgirls immensely. The play follows several phases in the…
Continued on Trove, page 24 →Late last year, the future of the One Extra Company was uncertain, following the withdrawal of anticipated funding for 1989 by the Australia Council and the NSW Ministry for the Arts. They…
Continued on Trove, page 23 →