These are historical newspapers. Some stories use language and express views that are offensive today.
Sydney · Pictures, dances & concerts
203 stories in Sydney's papers · page 1 of 11
THE Sydney Theatre Company generously scheduled the Australian premiere season of young British writer Patrick Marber's Closer to start at the Wharf at 6pm on New Year’s Eve and invited first-nighters to stay on after the…
Continued on Trove, page 24 →VAUCLUSE Public School Year 4-6 Hebrew pupils sang at the school’s end-of-year Hebrew and Italian concert. The focus was discovering personal roots and identifying with Israel…
Continued on Trove, page 14 →PLAY School concerts for the kids, three shows February 22, $5. Bookings: 9365 9900…
Continued on Trove, page 13 →FOLLOWING the Israel Philharmonic’s first concert in Sydney, the Herald critic wrote-glowingly about the visual and auditory benefits of the MPO’s “different”…
Continued on Trove, page 30 →AN ideal Husband was a London success in the same year, 1895, Las The Importance of Being Earnest. Tragically, Wilde wrote no…
Continued on Trove, page 29 →HAVING created a runaway success in Tap Dogs, with at least two companies performing it overseas at the moment, Dein Perry must have thought long…
Continued on Trove, page 30 →THIS saga of two Perth families living in one vast, ramshackle house, has been adapted from multi-award-winner Tim Wintonâs novel of the same name. Those who…
Continued on Trove, page 30 →HERE are three normal-length plays by Martin McDonagh, set in County Galway. I opted to see them in sequence on one day, 1pm to about 10.30pm, with intervals, and…
Continued on Trove, page 30 →PLAY School concerts for the kids, three shows February 22. S5. Bookings: 9365 9900…
Continued on Trove, page 17 →THE Ensemble's Sandra Bates has given us a simply brilliant production of David Williamson's 1994 (but since revised) Sanctuary in which, to use his own words, "moral…
Continued on Trove, page 27 →WHY would an actor such as Gielgud or a pianist such as Arrau, or indeed an eminent Sydney judge, risk so much to…
Continued on Trove, page 28 →ONE of the Sydney Festival highlights was the brief season of modern dance under the somewhat immodest title…
Continued on Trove, page 29 →NIGEL Triffitt's Moby Dick, now playing the Drama Theatre at the Opera House for the Sydney Theatre Company may be a work of genius, or a gigantic piece of…
Continued on Trove, page 28 →L'été dernier, Sami Frey avait créé l'événement au festi va I d'Avignon avec "Nathan le sage". A son tour, la Comédie française inscrit à son répertoire la…
Continued on Trove, page 21 →ISRAELI dancing with choreographer Gadi Bitton, Hakoah, February 24, S20/S30 family. Martin 9369 3784…
Continued on Trove, page 17 →I AM a Ph.D student at the University of Vienna (currently based in Zurich) and I am writing my thesis on German-speaking exile theatre in Australia. I will be in Australia in…
Continued on Trove, page 27 →IT HAD been far too long since I'd seen a Neil Simon piece. So, it was a joy, a warm-fuzzy homecoming, to sit in the congenial Q Theatre, Penrith, and be instantly engulfed by…
Continued on Trove, page 30 →NOT FOR the first time have we in this fair, democratic society been given the opportunity to see plays from Czechoslovakia under the generic label,…
Continued on Trove, page 30 →THE Australian Chamber Orchestra's season opener demonstrated the ensemble's consistent success in making adventurous programing deeply satisfying. The ACO embarks next…
Continued on Trove, page 29 →THE hugely telented Naava Piatka—actress, playwright, lyricist, composer — has been one of the most heavily publicised Jewish artists to grace these…
Continued on Trove, page 30 →